No evil tongue has thinned your dense hair. And don’t let ancestral portraits round the atrium fool you. theme: chastity is overrated in general (lines 39–48), and a girl’s beauty does not last long (lines 49–50). When young Eleanor Amore finds herself pregnant, she returns home to her estranged family in the Bronx, called by "The Sight" they share now growing strong within her. carmina < carmen, carminis n. “chant, spell, incantation.” caput: “the source” (of a river). : “demand payment”; future imperative (from the language of Roman law and religion). vellet is imperfect subjunctive in the protasis of a present contrary to fact condition. : “he stood stock-still and fixed his gaze unwaveringly on your face” (Barsby). Now she rises over the ocean, come from her aged husband. For Dipsas chastity was merely a lack of sophistication, just as Tacitus suggests that Romans in his day called adultery “modern” (. is an indeclinable substantive, here accusative, with a partitive genitive (AG §346). pallā: “cloak”; ablative of cause (AG §404) or specification (respect) (AG §418). the failed rival of the successful lover, described as an, : “sometimes, when he is has been wronged, be angry with him, as if you have been wronged.”, “harm, hurt” but here “wrong in love” (see OLD 3b), i.e. Synopsis. The pejorative sense of. nullō rīvāle: ablative absolute (AG §420). Even being attractive is no good: nobody gets a night with you for free. What young thighs! come here and beat with your gale on these deaf posts! haesit et in vultū cōnstitit usque tuō.et cūr nōn placeās? As conclusions go, this is certainly clear and definitive, but it is not, at first sight, very interesting, or attractive. animōs exercet: either “is occupying his energies” (Barsby), or perhaps “is giving brave men some practice” or “is keeping their minds busy.” In other words, the husbands are so busy preparing themselves for war that they are paying no attention to their wives’ extramarital activities. 1711–12: sī qua fidēs: “if there is any trustworthiness (in me),” supply est; see 1.3.16. stillantia < stillō -āre, “to drip with” (+ ablative). : ablative of place from which (AG §428g). Poets could be unsparing in their references to wrinkles, bad hair, and worse, and they associated the physical degeneration of such women with sexual dissolution and drinking (the Romans regarded the two vices as closely associated with each other); particularly vivid is the Roman copy of a famous Hellenistic sculpture of a drunken old lady, now in the Munich sculpture museum. I am wrong – the entrance was struck by an airy blast. I have walked a great while over the snow, And I am not tall nor strong. Mars is chancy, Venus uncertain: the fallen can rise again. dēfunctae: “when I have died,” parallel to vīvae in the previous line. The first elegy explains the meter and topic; the 15th, Ovid's goal — eternal fame. he performs on the strings of a gilded lyre. and good if you simulate it: reality often harms us. Tydeus , the wretch, left behind the worst example. quod numquam reddās, commodet, ipsa rogā = ipsa rogā ut commodet id quod numquam reddās. to be able to get the girl, because he’s wonderful. tibi: with nocuit (noceō takes a dative), but also with oppositī. What are you to me, wicked and murderous tools? line 5); longō indicates that the spell is a long and elaborate one. Go, now, Conqueror, devise a great triumph. : “lack of sophistication,” with an allusion to the simple country living of the Sabine women. 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